NoteEQ是一个预调至音符中心的均衡器/限制器。
十多年前,我用WDL(感谢Rob!)做了一个版本的NoteEQ,旨在解决”单音符低音”问题,以及在整个低音指板上处理声音过强或过弱的低音音符。我的母带工程师最终用它来处理更多的事情,从那时起我就一直想更新它。在这个版本中,您实际上每个频段都有一个限制器。在早期版本中,仅仅通过均衡器填补某个频率范围有时会造成比解决问题更多的麻烦,但现在,有了限制器,当混音出现问题时,您可以控制住它,当一切正常时,则不必干预!点击“E”(代表启用,我们还在决定名称)以启用某个频段(默认是关闭的),然后在已启用的频段内点击“D”以开启限制器。使用谱面下的“+/-”按钮切换八度。请注意,谱面显示中包含了八度信息,这样您就不需要进行数学计算了。
基于音乐音符中心的均衡器和动态处理器。
问题:有时我们对人声调音的感知可以通过增加或减少某些特定频率来改变。此外,还存在一个常见问题,即所谓的“单音符低音”,由于共振的掩蔽效应,附近的音符在音高上彼此难以区分。解决这个问题的一种方法是找到特定的音符并将其提高或降低。
以前的解决方案:在古老的时代里,工程师们需要拿出一张音符到频率的图表,或者使用计算器开始输入数值。如果他们使用的是旧的模拟均衡器,他们必须确保每次调节都足够接近,并且希望它能每次都能固定住。这是一个非常耗时且令人沮丧的过程。
我们的解决方案:NoteEQ为常规可听频谱中的每个音符都提供了一个已经为您计算好的均衡器频段。如果歌曲使用了一些非常规调音,还有细调控制来适应这些非标准调音。
Team R2R | 2024.06.11 | 6 MB
NoteEQ is an EQ/Limiter pre-tuned to note centers.
More than a decade ago, I made a version of this in WDL (thanks Rob!) to deal with the problem of “one note bass” and dealing with overly loud or overly dead bass notes across the bass fret-board. My mastering engineer ended up using it for far more things, and I have been meaning to update it ever since. In this version, you actually have a limiter per band. In earlier versions, just EQ-ing a hole sometimes caused more problems than it fixed, but now, with the limiter, you can get a hold of the mix when its making trouble and leave it alone when it isn’t! Click “E” (for Enable, were still deciding on the name) in order to enable a band (they are off by default) and “D” in an enabled band to turn on the limiter. Switch octaves with the +/- buttons under the spectrum. Note that the octaves are shown in the spectrum display so you don’t have to do the math.
EQ and dynamics processor with bands centered on musical notes.
Problem: Sometimes our perception of vocal tuning can be changed by adding or removing a certain amount of particular frequencies. Also there’s a common problem of what is known as “One Note Bass” where nearby notes are indistinguishable from one another in pitch because of resonances’ masking effects. One way to solve this is to find a specific note and turn it up or down.
Previous solutions: in the olden days engineers should bring up a note to frequency chart and or a calculator and just start plugging in values and if they’re on an old analog equalizer they’re hoping they got close enough on the knob and that it would stay put every time. A very time consuming, and frustrating process.
Our Solution: NoteEQ provides each of the notes in the regularly audible spectrum with its own EQ band already calculated for you. In case the song is using some non-standard tuning there so there is a fine-tuning control available that affects all the bands at once and each band has some limited dynamics capabilities as well.
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