违法的 所有的收获。不会痛的。 无论你是混合了现场声音,平滑的声音,还是平衡了独唱乐器,你一直在寻找的是一个游戏插件。违法者倾听传入的音频,并补偿音量的变化,模仿一个现实的音频工程师的混合台的未来运动。忘记绘制复杂的音量自动化,让非法为您做艰苦的工作,平滑的增益和丰富的特点。
这四个主要的拨号给了你灵活的控制的基本参数,这意味着它很容易做宽中风调整的性能的插件。用混合盘调整效果的强度,用目标盘设置RMS目标电平。使用闸门控件设置一个相对的水平,使游戏机忽略柔和的声音。主输出由增益表盘控制,非常有助于为精确的A/B信号比较设定精确的水平。
高级设置
仔细调整增益算法与高级设置,可从二级面板.违规者可以在带通模式下使用高通和低通滤波器和4个不同的斜率设置。例如,这意味着你可以在音频上用低隆隆、高帽子流血或其他有问题的频率信息执行有效的游戏。
-攻击和释放选项,让你塑造的暂态和维持经过处理的音频,创造一个更平滑的信号。可以设置方向参数来控制攻击和释放方向,向上、向下或双向操作。
-可设定最大值,以调整比赛强度。各种rms选项决定了如何快速地禁止对传入信号的反应-另一种帮助平滑或提高响应的方法。
视觉反馈
用大的视觉反馈显示,一目了然地看到非法者正在对信号做什么。这显示了左、右通道的峰值和RMS音量,以及中心的得利率。
为所有人做的
这是在JUCE框架下开发的,是我们迄今为止最稳定的插件,在视网膜和高清晰度屏幕的支持下,以所有的插件格式运行。这是第一次包含AAX/原基醇格式,这样所有使用任何系统的生产者都可以享受这个多功能的插件。
“超法律”是一种工具箱插件,当你需要用”人的触觉”来创建平衡的动力学时,你就会用它来实现。让它成为你频道上的第一个插件,为现场吉他,歌唱,低音和鼓声,或任何需要同情的虚拟工程师的顺利触摸。
W.A.生产实际上是生产者创造性的插件,以帮助你实现工作室质量快速和容易的处理。好好享受!
特点
混合:混合是增加骑马。
-目标:设定入球者的RMS目标。
-门:允许用户设置一个相对于目标水平的门水平,让游戏者忽略较柔和的声音。
高分辨率/低分辨率/斜率:让你用可变斜率过滤掉检测信号中的高和低,这样你就可以忽略语音或声音记录中的低隆隆声,或者忽略低音记录中的高攻击和手指音。
-攻击/释放/方向:让你使用额外的攻击,并释放到游戏中,这样你就可以通过信号峰或平滑信号尾。通过方向控制,您可以设置攻击和释放的方向,这是有帮助的,取决于一般增益是向上,向下或向两个方向。
最大化/最大化/最大化/最大化/最大化/最大化/最大化/最大化/最小化/最小化:最大化和最大化让你设置上上下下应用的最大增益,这使你能够更好地控制最大化的盖顶。低值听起来很微妙。高值听起来不稳定。RMS控件允许您选择慢、中或快的RMS检测,这决定了插件对传入信号的反应速度。快速选项是非常快的,零有0MSRMS时间。
AU | VST | VST3 | 17.8 MB
Outlaw All gain. No pain. Whether you’re mixing live sound, smoothing vocals or balancing solo instruments, Outlaw is the gain-riding plugin you’ve been looking for. Outlaw listens to the incoming audio and compensates for volume changes, mimicking the mixing desk fader movement of a real-life audio engineer. Forget about drawing complex volume automation and let Outlaw do the hard work for you, with smooth gain levelling and a wealth of features.MIX, TARGET, GATE & GAIN
These 4 main dials give you flexible control over the fundamental parameters of Outlaw, meaning that it’s easy to make broad-strokes adjustments to the performance of the plugin. Adjust the intensity of the effect with the MIX dial and set the RMS target level with the TARGET dial. Use the GATE control to set a relative level so that the gain-rider ignores softer sounds. The master output is controlled by the GAIN dial, very useful for setting accurate levels for precise A/B signal comparison.
ADVANCED SETTINGS
Fine tune the gain algorithm with advanced settings, accessible from a secondary panel. Outlaw can perform in band-pass mode with high-pass and low-pass filters and 4 different slope settings. For example, this means you can perform effective gain-riding on audio with low rumble, high-hat bleed or other problematic frequency information.
– The Attack and Release options let you mould the transients and sustains of the processed audio to create a smoother signal. The Direction parameter can be set to control the attack and release direction, operating upwards, downwards or in both directions.
– Maximum values can be set to adjust the intensity of the gain-riding. A variety of RMS options determine how quickly Outlaw reacts to the incoming signal – another way to help smooth or sharpen the response.
VISUAL FEEDBACK
See exactly what Outlaw is doing to the signal at a glance, with the large visual feedback display. This displays Peak and RMS volume for both left and right channel, and the amount of gain-riding in the centre.
MADE FOR EVERYONE
Developed in the JUCE framework, this is our most stable plugin to date running happily in all plugin formats for Mac and PC with support for retina and high definition screens. For the first time, AAX / ProTools format is included so all producers using any system can enjoy this versatile plugin.
Outlaw is the kind of toolbox plugin that you’ll reach for every time you need to create balanced dynamics with a “human touch”. Make it the first plugin on your channel for live guitars, vocals, bass and drums, or anything that needs the smooth touch of a sympathetic virtual engineer.
W. A. Production are real-life producers making creative plugins to help you achieve studio quality processing quickly and easily. Enjoy!
FEATURES
– MIX: mixes is the gain riding.
– TARGET: sets the rms target of the gain-rider.
– GATE: allows user to set a gate level that is relative to the TARGET level, to have the gain-rider ignore softer sounds.
HPF/LPF/SLOPE: Let you filter away the highs and lows in the detection signal with variable slopes so you can for example ignore the low rumble in a speech or vocal recording, or ignore the high attack and finger noises of a bass recording.
– ATTACK/RELEASE/DIRECTION: Let you apply additional attack and release to the gain-riding so you can let through the signals peaks or smooth out the signals tails. With the DIRECTION control you can set the direction of the ATTACK and RELEASE which is helpful depending on if the general gain produced is upwards, downwards or goes in two directions.
– MAX UP/MAX DOWN/INSTANT/ZERO/RMS: The MAX UP and MAX DOWN let you set the maximum gain that is applied up and down, which gives you more control over how extreme the gain-riding is allowed to be. Low values sound subtile. High values sound erratic. The RMS control lets you pick between slow, medium or fast rms-detection, which determines how quickly the plugin reacts to the incoming signal. INSTANT option is very fast and ZERO has 0ms RMS time.
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